My Acting Page


 AS AN ENTHUSIASTIC, ASPIRING THESPIAN.
THIS PAGE WILL BE ABOUT  MY ACTING DREAMS AND ACCOMPLISHMENTS.

Home Em's Family Class Reunion 2004

  

Emily Clary 
email foxfire1@flash.net

Theatre Experience
The Octette Bridge Club
by P.J. Barry 		Nora Hiller Clear Creek Country Theatre
November 2003
Laffing Room Only
by Tim Kelly 		Mrs. Martin Community Cup Theatre
March 2001
The Odd Couple
(female version)
by Neil Simon 		Vera Community Cup Theatre   
September 2000
Pride And Prejudice
 by Jane Austen adapted for
the stage by Helen Jerome 		Lady Lucas Pasaden Little Theater
July 2000
Exit The Body
by Fred Carmichael 		Helen O'Toole Community Cup Theatre  
March 2000
The Wizard of Oz
by Frank L. Baum 		Auntie Em and Almira Gultch Harbour PlayhouseTheatre 
December 1999
Musical Comedy Murders of 1940
by John Bishop

Marjorie Baverstock

 Harbour Playhouse Theatre 
October 1999
A Midsummer Night's Dream
by William Shakespeare		 Egeusia, mother of Hermia Harbour Playhouse Theatre
May 1999
Love, Sex and the IRS
by William Van Zandt & Jane Milmore		 Vivian Trachtman  Pasadena Little Theatre
October 1998
Dirty Work at the Crossroads
by Bill Johnson		 Widow Lovelace  Theatre Suburbia
July 1998 


 TRAINING:
     BRANDON SMITH'S-
        On Camera Workshop                      February 1998                           Houston, Texas
         "Who, what, where, when, how and why?"

SELF EXPRESSION CENTER:
       SANDRA ZIMMER, Instructor               June 97 - 98                           Houston, Texas
   BEGINNING ACTING:    ROLE  PLAYING:  making contact, finding your energy, giving and receiving, and being in the moment.

    INTERMEDIATE ACTING :    WORKING WITH PROPS: scenes-"The Ladies At The Alamo;" Dede, and "Sunset Boulevard;" GETTING INTO THE SKIN OF THE CHARACTER: meditation, grounding exercises,  character study,  creating a history and role playing: scenes- "The Enchanted;" Leonide.  APPROACH TO ACTING: feeling energy centers, focus in the moment and emotional  states.  MONOLOGUES:  what is happening,  placing the audience,  relating to  experience and  finding beats: scenes-"Resurrection;" Edna.  ADVANCED ACTING : role playing: scenes-"The Rainmaker;" Lizzie, and  " Streetcar Named Desire;" Blanche.  INTERFERENCE: creating a surprise for your  partner.  IMPROVISATION: "free fall" structure, who, where, and why?  Why are you in this moment and what is your intention and find your true feelings "if."

 

   

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